This tag is associated with 40 posts

Movie review: “Green Room”

It’s tempting to call Green Room the punk successor to Deliverance, but that glosses over the brilliance writer-director Jeremy Saulnier’s smart, ferocious, blood-soaked thriller. His previous film, Blue Ruin, was an art house family drama disguised as a B-grade revenge flick; Green Room is a B-grade exploitation thriller with art house sensibilities. It’s schlock so smartly written … Continue reading

Movie review: ‘The One I Love’

Let’s just get this out of the way first: The One I Love is a great movie to watch, but an almost impossible one to review — not because it is impenetrable or has the kind of built-in audience that doesn’t give a dingo’s kidney about critics’ opinions (it’s neither of those, by the way), … Continue reading

Movie review: ‘Boyhood’

Writer-director and indie darling Richard Linklater has never been one to shy away from unconventional projects; the philosophy primer Waking Life, the ambitious animated science fiction drama A Scanner Darkly, the Before trilogy, and the pseudo-true crime dramedy Bernie all bear the mark of a filmmaker playing with form. Which is why Linklater’s ambitious drama Boyhood is … Continue reading

Movie review: ‘Blue Ruin’

One of the most original, suspenseful, and surprising indies in the past few years, writer-director Jeremy Saulnier’s Blue Ruin is a mesmerizing exercise in style and character study. Granted, that last bit is enough to make many a movie-goers’ sphincters clinch with dread of ponderous, talky self-indulgence, oblique references to obscure film movements, and/or overblown visual flourishes; … Continue reading

Movie review: ‘The Grand Budapest Hotel’

For years now the whimsical movie stylings of Wes Anderson have regularly been dismissed as something of an acquired taste, as rambling, self-indulgent musings drenched  in artifice and contrivance. Granted, there’s a lot of truth to that, but to dismiss them outright is to throw the proverbial baby out with the equally proverbial bath water. … Continue reading

This Week’s Special Screenings

The Magnolia’s Big Movie film series continues with Mike Nichols’ iconic comedy The Graduate (1967), 7:30pm and 10pm, March 4, at the theater. Details The Texas Theatre’s Tuesday Night Trash series returns with a screening of Mardi Gras Massacre (1978), 9:15pm, March 4, at the theater. Details The Alamo Drafthouse’s Wes Anderson Week runs through March 6 with screenings of movies from the … Continue reading

This Week’s Special Screenings

The Alamo Drafthouse’s Big Screen Classics series continues with a screening of Michael Curtiz’s Casablanca (1942), 12:30pm, February 23, at the theater. Details The Alamo Drafthouse’s Tough-Guy Cinema series presents a screening of Walter Hill’s cult classic Streets of Fire (1984), 9pm, February 24, at the theater. Details The Magnolia’s Big Movie film series continues with Philip Kaufman’s historical drama The Right Stuff (1983), 7:30, … Continue reading

Movie review: ‘Escape from Tomorrow’

One of the most impressive feats of subversive, satirical stunt film-making in years, Randy Moore’s debut feature Escape From Tomorrow bursts the saccharine-sweet bubble that is the Disney empire without resorting to mean-spiritedness, taking the notion that a shiny surface conceals an equally dark underbelly and running with it like an Olympic sprinter on amphetamines. It’s less … Continue reading

This Week’s Special Screenings

The Texas Theatre presents a 35mm print of Stanley Kubrick’s Full Metal Jacket (1987), 6pm, August 18, at the theater. Details The Highland Park Film Festival‘s summer film series concludes with a screening of the classic musical The Sound of Music (1965), 7pm, August 19, at the Highland Park Village Theater. Details The Alamo Drafthouse presents a screening of the Ealing Studios comedy Whisky … Continue reading

Movie reviews: ‘Jobs’ and ‘Prince Avalanche’

Superficial all the way down to its bitter core, Joshua Michael Sterns’ anemic exposé of Apple  founder Steve Jobs (Ashton Kutcher) engages in abject hero-worship while pretending to plumb the depths of a controversial man who helped pave the way for the Information Age. Is disappointing to see the life of such complex figure reduced … Continue reading

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