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Gary Dowell

Professional film critic, journalist, Byronic hero.
Gary Dowell has written 563 posts for movie ink™

This Week’s Special Screenings:

The Alamo Drafthouse presents a screening of the controversial Japanese satire-thriller Battle Royale (2000), 7pm, September 10, at the theater. Details The Texas Theatre presents a 35mm print of David Cronenberg’s horror classic The Brood (1979), various showtimes, September 12-15, at the theater. Details The Alamo Drafthouse also presents Wes Anderson’s breakthrough comedy Rushmore (1998), 7pm, September 11, at the theater. Details The Alamo Drafthouse presents … Continue reading

Movie review: ‘Riddick’

Wisely smaller in scope yet appropriately over-the-top, writer-director David Twohy and actor Vin Diesel’s return to the character who helped put both of them on the map some 15 years ago, Riddick is sci-fi pulp cheese that will satisfy fans if little else. An escaped con with night vision eyes, Riddick became a surprise cult … Continue reading

The Final Frontier is a Harsh Mistress: A Look at Space-Disaster Movies

The stunning, vertigo-inducing trailer for Alfonso Cuaron’s Gravity (opening in theaters next month) has been shaking up audiences for the past few weeks with hair-raising footage of Sandra Bullock and George Clooney as astronauts cast adrift during a disastrous spacewalk. The Final Frontier captures the human imagination like nothing else, but often we forget that … Continue reading

This Week’s Special Screenings

The Texas Theatre presents a 35mm print of the science fiction comedy Honey, I Shrunk the Kids (1989), 4:30pm, September 1, at the theater. Details The Alamo Drafthouse presents a screening of the classic ’80s sci-fi comedy Real Genius (1985), 7pm, September 3, at the theater. Details The Alamo Drafthouse presents a screening of Amy Heckerling’s classic coming-of-age comedy Fast Times at Ridgemont High (1982), … Continue reading

This Week’s Special Screenings

The Kimbell Art Museum’s Summer Adventure Series: From Amazon to Andes series concludes with a screening of Howard Hawks’ Only Angels Have Wings (1939), 2pm, August 25, at the museum. Details The Texas Theatre also presents a 35mm print of the live-action fantasy-action cult classic Masters of the Universe (1987), 4:30pm, August 25, at the theater. Details The Alamo Drafthouse presents a screening … Continue reading

Movie review: ‘The World’s End’

The third collaboration between writer-director Edgar Wright and actors Simon Pegg and Nick Frost, The World’s End pulls off an impressive feat at the tail-end of a summer movie season loaded to the gills with varying apocalypses and mind-numbing scenes of mass destruction by finding humor in Armageddon, outdoing the similarly themed This is the … Continue reading

Q&A: The Lads of “The World’s End”

After establishing themselves in the UK in the late ’90s with the cult-classic sitcom Spaced, writer-director Edgar Wright and his perennial co-stars Simon Pegg and Nick Frost snuck onto the world stage with the zombie rom-com Shaun of the Dead in 2004 and the action movie spoof Hot Fuzz in 2007. Since then, Wright put … Continue reading

This Week’s Special Screenings

The Texas Theatre presents a 35mm print of Stanley Kubrick’s Full Metal Jacket (1987), 6pm, August 18, at the theater. Details The Highland Park Film Festival‘s summer film series concludes with a screening of the classic musical The Sound of Music (1965), 7pm, August 19, at the Highland Park Village Theater. Details The Alamo Drafthouse presents a screening of the Ealing Studios comedy Whisky … Continue reading

Movie reviews: ‘Jobs’ and ‘Prince Avalanche’

Superficial all the way down to its bitter core, Joshua Michael Sterns’ anemic exposé of Apple  founder Steve Jobs (Ashton Kutcher) engages in abject hero-worship while pretending to plumb the depths of a controversial man who helped pave the way for the Information Age. Is disappointing to see the life of such complex figure reduced … Continue reading

Movie review: ‘Kick-Ass 2’

Three years ago, Kick-Ass lit up a small number of screens like a cinematic firebomb tossed into unsuspecting megaplexes; audiences were caught off guard by the sight of a then-unknown Chloë Moretz swearing like a sailor with Tourette’s Syndrome while slicing and dicing street thugs at the encouragement of a demented Adam West-esque vigilante father … Continue reading

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